The Spatial Audio Designer – Processor is the next generation audio processor for interactive and spatial audio industry applications.
The Spatial Audio Designer – Processor
is the next generation audio processor for interactive and spatial audio industry applications.
Full Domes, Theme Parks, Cruise Liners, Theaters, Science Work, Installations, Trade Shows, Museums, Live Concerts, Concert and Multipurpose Halls, Broadcast and many more.
Supports MPEG-H mixing, authoring, monitoring and delivery in the next update Q3/21.
The Spatial Audio Designer – Processor (SAD-P) combines all demands for current and future spatial audio environments. Supporting standard multichannel audio interfaces, 100% real-time and object based processing allows an easy implementation in new as well as existing installations.
Based on the response gotten from sound engineers like at Skywalker Sound, Galaxy Studio, Kraftwerk, Fraunhofer over more than ten years, a pretty clear and straight forward interface has evolved for the SAD-P. It offers a lot of powerful features for sound engineers but also easy control for standard show operators.
Every audio input source (audio object) can be controlled individually, in custom groups or format groups like stereo, 5.1 or 7.1. The output format can be a standard speaker configuration like 5.1, Dolby Atmos – 7.1.2 or IMAX 3D – 12.0. But also custom configurations like a full dome 64 speaker environment can be created and feed.
A professional plug-in versions of the SAD supports the content creation in any audio workstation and standard sound studio environment. A well proved and awarded binaural loudspeaker simulation for regular headphones supports monitoring of the mix without real loudspeaker systems on the go or in small mixing environments. Following the aspect having control in every situation, the SAD-P can be controlled from computers, mixing desks, mobile apps, touchscreens and via the internet.
A continuous growing amount of institutes like the Experimenta Science Dome in Heilbronn and Planetariums like Mannheim and Hamburg already use the SAD-P for their complete spatial audio reproduction and management. Thus, the SAD-P becomes to be a standard in spatial audio industry applications.
“The SAD-P is created from sound engineers for sound engineers”
– Tom Ammermann, Grammy nominated immersive audio producer and visionary behind the SAD-P