SSC
Spatial Sound Card
A software sound card for experiencing audio on virtual loudspeaker systems using traditional headphones.
SAD
Spatial Audio Designer
A professional plug-in kit for creating and monitoring immersive and interactive audio content.
SAD-P
SAD-Processor
A next-generation audio processor for industry-based interactive and spatial audio applications.
Licensing
B2B
We provide software solutions for a large variety of applications across many industrial, professional and everyday-user domains.
The New Audio Experience
Immerse yourself in a virtual sonic space
This is Next Generation Audio (NGA): immersive and interactive, a listening experience that is fundamentally different. Deeper, and more realistic. With NGA, users can interact with and individualize their audio experience as never before to become part of the experience itself.
From soundbars to smart speakers, cinemas to theme parks, fulldomes, theaters and live concert venues, NGA covers a lot of ground – and also new broadcasting formats.
Get New Audio Technology tools and technologies to instantly become a part of a new sound adventure!
Experience immersive sound now and say goodbye to regular stereo. Grab your favorite headphones and dive in!
A quick introduction to the Spatial Sound Card.
Learn all about the Spatial Audio Designer.
“The SAD is one of the most versatile tools I’ve ever used for spatial productions in any format, and its binaural functions create really stunning emulations of 3D speaker setups in different rooms.”
Fritz Hilpert
3D Mix Engineer (Kraftwerk, Booka Shade)
“Right when we first launched immersive audio onto the market, I was surprised at the flexible production tools that New Audio Technology came out with.”
Gregor Zielinsky
Grammy-award winning sound engineer (Leonard Bernstein, Imogen Heap, Count Basie Big Band)
“The binaural processing power of the Spatial Sound Card and its ability to produce such natural-sounding audio surprises me every time.”
Lasse Nipkow
Immersive Audio Producer (Stradivari Quartet, George Gruntz, Thierry Lang and Dino Saluzzi, Daniel Schnyder)
“Spatial and interactive audio is an essential element in an immersive storytelling venue – often even more important than the visuals. We love the creative freedom offered by NAT applications when we choreograph scenes for our dome theater!”
Professor Thomas W. Kraupe
Director Planetarium Hamburg / Former Officer & President of the International Planetarium Society (IPS)
Photo credit: Wolfgang Koehler
“Doing immersive audio production for cinematic applications just wasn’t as easy on my audio workstation as with the Spatial Audio Designer Plug-in.”
Mark Edward Lewis
Senior Cinema Sound Instructor
“We’re so glad to have collaborated with New Audio Technology on the Spatial Audio Designer plug-in, a flexible tool to author and produce immersive and interactive sound with MPEG-H Audio in every DAW!”
Yannik Grewe
Senior Sound & Audio Engineer for Audio Production Technologies at Fraunhofer IIS
“Producing immersive audio for domes is always challenging, so I was happy to find a flexible tool like the Spatial Audio Designer to manage every stage of production quickly and efficiently.”
Max Fritz
Audio & Music Producer at Yessian (Ocean Mind Experience: “Humpbacks of Hawaii”; “Panda 4D” at China’s Chimelong Paradise amusement park; North American International Auto Show Detroit [Ford]; Motiongate Dubai [Dubai Parks and Resorts]; Ghostbusters 4D)
Photo credit: David Dollmann
“We’re very excited to be able to make our studios available virtually through NAT’s audio applications so that we can extend the reach of our audio services.”
Daniel Vogl
COO ARRI Media Services (Rush, Cloud Atlas, Dark)
Photo credit: Affonso Gavinha/Arri Media
“The Spatial Audio Designer Processor has proven to be a solid solution for our spatial audio system, making it easy to manage our everyday standard and immersive audio formats easily – including real-time setups.”
Dr. Susanne Hüttemeister
Director of the Bochum Planetarium
“In our theme park’s new fulldome, we feature all kinds of different shows and audio formats, so we’re glad to have the Spatial Audio Designer Processor to support all our needs so well and effectively.”
Oliver Finazzo
Technical Director of House
Photo credit: Naturgewalten-Sylt
„I love the flexibility of Spatial Audio Designer! When we work on fulldome shows we start mixes in our studio and usually get to fine-tune them in the venue. Being able to switch the output settings with only a few clicks is fabulous.“
Daniel Deboy
Spatial Audio Engineer / Managing Director of DELTA Soundworks
(Europapark, Experimenta Science Dome)
Photo credit: Anna Logue
